Secrets of the Most Thankless N.B.A. Job: Referee

Fascinating article covering a typical day in the life of an NBA referee in the Covid Era. Zach Zarba shares this story about the late, great Kobe Bryant.

It must have been my first year in the league. My “welcome to the N.B.A.” moment. I’m reffing a Lakers game and it’s Kobe Bryant. Kobe in 2003, 2004, was younger and brash. He was chasing a legacy. He was a great player and intense. I remember there was one game and Kobe asked about a play. He thought he got fouled on the elbow shooting a jumper. He barked about it.

The culture of the N.B.A. is that, for us, if a play in question happens in the first half, you can kind of go in at halftime, look at the play, you can come back and either tell them, “Yeah, you were right,” or “No, you were wrong.” Sure enough, Kobe got fouled and I missed the play, and it should’ve been a foul.

When you tell a player and you drop your guard and say, “Hey, I missed that play,” 90 percent of the time the player is going to say: “Hey, don’t worry about it. You’ll get the next one.” That’s the kind of working environment. I come back out and walk up to Kobe and say: “Kobe, you were right. You did get hit on the elbow.” He looked dead at me and I’m expecting a pat on the butt or whatever. He looked at me stone-faced and said, “Get it together.”

Amazing.

33 Things I Stole From People Smarter Than Me

I stumbled across another great collection of pieces of life advice. Again, they all are great, but this one for me hits close personally.

“Your last book won’t write your next one.” I don’t remember who said it, but it’s true for writing and for all professions. You are constantly starting at zero. Every sale is a new sale. Every season is a new season. Every fight is a new fight. If you think your past success guarantees you anything, you’re in for a rude awakening. In fact, someone has already started to beat you.

“If you think your past success guarantees you anything, you’re in for a rude awakening.” Wow, that is some fresh humble pie.

I recently separated from my last job, and given my experience in the industry, I figured I wouldn’t have any problems finding new work. It’s been 3 weeks and my phone has been silent and inbox has been empty. I’m still confident I will find something eventually, I just didn’t realize it would take this long.

Eight Secrets to a (Fairly) Fulfilled Life

I came across a great read, with an admittingly clickbait-y title, but it’s totally worth the click. All eight points are great but this one resonates with me loud and clear.

The solution to imposter syndrome is to see that you are one.

Humanity is divided into two: on the one hand, those who are improvising their way through life, patching solutions together and putting out fires as they go, but deluding themselves otherwise; and on the other, those doing exactly the same, except that they know it.

It was through this same site that I realized that everyone is totally winging it, all the time. Once I learned this, and then now adding this corollary regarding imposter syndrome, I can hopefully put to rest any debilitating fear I have about getting “found out”.

It is also completely ridiculous that when I first introduce myself to customers, I will always throw in, “I don’t know everything, but I’m really good at finding the answer” which is literally the best anyone could ever do at anything, but my mind will always find a way to talk itself into thinking I’m an imposter.

This is a great reminder that everyone is doing the best they can at everything. It’s just that some have been doing it longer.

Hamilton on Disney+

I’ve been enjoying Hamilton as soon as it was released on Disney+ and after the third or fourth viewing, I started to wonder how they got those tight shots at a live Broadway musical. Michael Paulson in the New York Times:

Declan Quinn, the director of photography, spent two months watching performances and reading the script, trying to suss out the best angles to capture key dramatic beats. He installed nine cameras around the Richard Rodgers Theater — one with a view toward the audience through a hole cut into the back of the stage set, one fixed on the balcony rail for a wide shot, and seven hidden behind black drapes so they would be less distracting to theatergoers — to shoot a Sunday matinee and a Tuesday evening show. Between those performances, the cast ran through 13 of the 46 numbers, but this time with onstage equipment — a Steadicam, a crane and a dolly-mounted camera — for close-ups and overheads.

Originally planned for a theater release, Covid–19 changed all that. While it would have been nice to watch in a theater, I’m glad that those who are subscribers are now able to enjoy it without going into one.

Proceeds from the sale, Seller said, will be shared with the beneficiaries of the Broadway production, including the nonprofit Public Theater, where the Off Broadway production was staged, and members of the original cast, who in 2016 won a hard-fought battle to share in the profits of the stage production. “The actors are absolutely reaping the benefits of our financial rewards,” Seller said.

The cast welcomed the arrangement.

Also glad that those who deserved it, got paid.